It’s been a NaNoWriMo type of November. I can tell because I have an extra 50,000 words added to my novel and next to no pictures taken during these past 30 days. It wasn’t all writing and no socializing though. When I went to vote, I ran into old friends. I had a chance to talk to Maureen Lee and Kimberly Moritz after the SGI school board meeting – conveniently held in Colden this month. Springville Journal’s esteemed Max Borsuk was there, too. Five out of five Friday nights saw me in the Comfort Zone for the Hamburg Writers’ Group plus Husband and I went to see the movie “Knives Out.” The first snow has fallen and occasionally, it’s a pretty thing to admire as long as shoveling isn’t involved.
After a gap when Mary Akers, Gina Detwiler and I pursued other writing projects, we each had new work to share so we reconstituted our roving novel critique group meetings. First stop: My home. Why yes, it was fun cleaning the whole house in two days and make quiche and cauliflower nuggets and two types of sweets because I wasn’t sure either would turn out. Dog went to a new groomer before the meeting and was far too sexy for a photo session.
I know, it’s a cheat to take pictures when he’s sleeping, but isn’t that the cutest Thanksgiving bow-tie? Thank you everyone at Paw Spa!
Anyways, I want to say that I’m still surprised that every book I write ends up being written in a different way. Last time, it was a ton of flashes that expanded into a whole. This time it was a lot of wasted writing trying to find a proper beginning. Regardless, once I found it, a lot of the themes and ideas I wanted to explore fell into place.
On and off through October, I worked on the blurb and the first chapter. I searched thumb drives for the abandoned bits and plumped out a catchall file with those meanderings called LineAboutMarriage. I know, it’s not a snappy working title, but it is a little more descriptive than NewBook17.0
I had sent the semi-polished first chapter to the amazing Nina Fosati and Prisoner for their take. Each were happy with it. When I revised it a bit more and sent it to Gina and Mary with no introduction to what it was about, I received my first negative response. It was a kind assessment of how she couldn’t tell if it was a romance or a mystery or what. And that was okay. I had been working at “genre” the last two books after I sent the dark literary “Ellie’s Elephants” to twenty agents and didn’t get more than a few requests for partials. “Blue” and “Near Eden” – the genr-y books had requests for fulls, but again, no agent took them on. For this novel, I’d abandoned the genre slant and wrote it for me.
Lots of people I’ve met have self-published. Some are lovely and I enjoyed them. A few people I’ve shown my early novel attempts liked them. I could have put them on CreateSpace when that was a thing, but my goal has always been to have an agent who will help with the process. Ideally, I’d like to be published by a big house. Making the long (or short) list for first-book awards would be a pleasant surprise, too. If I had self-published, I wouldn’t be eligible to strive for a lot of the goals I set out to reach from a young age. At heart, I’m still the 12-year-old who read “Peyton Place,” saw Grace Meticulous on the back cover in front of a typewriter and wanted to BE her.
But I don’t write like Grace Metalious. Or Nora Roberts. Stephen King, Douglas Adams, Madeleine L’Engle, Toni Morrison, or anyone else. I write like me and while I hope as I work through the rewrite of this crappy first draft, you and others will like it, in the end, the only thing I really want is for it to be a manuscript I want to read repeatedly and be happy to call mine. I’m writing for one person. It’s taken years to understand this oft-mentioned piece of advice
In the meantime, I appreciate you and the time it took to read this post. My new assistant is waiting patiently, so I must be off…
Thank you for stopping by and for the read!
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