Stephen King

Red and the horror in the country but not like you’re probably thinking

The hills are alive with red around here – or at least the leaves that insist to my senses to pay attention to them are the red oaks, sumacs, parts of the sweet gum, those little perfectly manicured bushes I drive by that beam. I swear some of them are full of pride, which is weird to think about, a bush with vanity, but it is a living thing. Unfurling leaves and petals in the spring are a vigorous horror fest of ugly green. Hostas are particularly creepy, reaching up to the sky like fingers from that hand thrust from the grave in Stephen King’s “Carrie.” Their alien, emerging shape insisting on an audience, too, so maybe it isn’t vanity but me assigning moral attributes and failings to things rarely thought of as having such things because I’m bored.

And I’m not bored, but avoiding some work. Mostly cleaning. Some plotting, some renaming, some rereading, some more horror films watched and then I think I’ll be ready for November. I’m considering going back to the “happy writing day board.” It was a paper calendar on the refrigerator where I wrote my word count each day. Stamps were put on the days I made my count or went over 1667 words. One time it was stickers. Husband could also look at it and praise or ask jokingly if he needed to put a lock on the library door because I was short. I don’t remember where or when (yes I do, part of the exercise/calorie counting insanity I am still prone to participate in because it is another control issue I rarely own up to) I learned that about myself – that visuals help with a goal. Yes, say it with me now, I am going to win NaNoWriMo. I have an “it” which rhymes with bit and that’s just the start of the story.

Another thing I know is that I should never talk about “it,” just write it, but it isn’t November and I crave that structure because it’s worked before so I’m here, binging on movies.  It’s nearly Halloween so the basis for selection is “Does it sound scary?” and to me, “Wicker Park” sounded scary. It is not. It’s odd and I’ll need to watch it again – and I will because it’s shot in Chicago and you can tell that it is real snow in some of those shots. The Elisabeth Moss “Invisible Man” is great and lovely but I couldn’t help remembering “Sleeping with the Enemy” as I watched it. “The Hollow Man” remains 6 degrees of stupid. “What Lies Beneath” – plenty of scares, but so little sense. Who brings up a box thrown in the lake back to the house, where the potential killer is, to open it when you had the key and could have done it on the dock? And omg the creep factor of Harrison Ford and Michelle Pfeiffer to begin with, and then he says the line about her daughter and…just…I…was struck wordlessly gross. “Ghost Story” was bad, “A Quiet Place,” eh, and the standards of “Hocus Pocus,” “The Addams Family,” and “Beetlejuice” hold up. I don’t know what I’ll watch tonight, but probably two movies I’ve not watched before.

I’ve started quite a lot of essays spinning off the first one currently called, “A Taste of the Good Stuff.” For some reason, I’ve sent it off to what I know are not faceless editors, but there is still a distance. Should it ever get published, I’m not sure I want to share it with friends unless I regain some weight. It felt exactly like the slide down the scale opened up a view of another time I was not expecting to visit. And it was a rotten thing and I wrote about it. I know part of it wasn’t my fault, but part of it was. A choice I made because I thought I had to and now I wonder why. I don’t like writing cnf since it exposes me harshly – at least in my own mind. It shows I’m such a moronic person, full of vanity and pride so afraid of what others would think of me, I want to turn into a tree. Or a bush that resembles a warm flame when its leaves turn. Better yet, a hosta planted on a dark hillside under tamaracks and walnut trees.

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Until we meet again, I wish you good health and joy. Thank you for stopping by and for the read!

Fast. Hot. Slow. Wet Cement.

I took advantage of Kathy Fish’s generosity last week and joined in the Fast Flash Reunion Extravaganza on Zoetrope. It was a great time and I adored reading other people’s work and saying “hey” to many fabulous and talented writers such as Raima Larter, Todd Clay Stuart, Nan Wigington, Cezarija Abartis, Matthew J Robinson, Jayne Martin, Jolene McIlwain, Alex Reece Abbott, Jan Elman Stout, Karen Schauber Karen Jones, Chris Haven, Patience Mackarness, Melissa Saggerer, Amy Braziller, Mary Crawford, Gay Degani, Andrew Stancek, Tommy Dean, and Chelsea Stickle. Over the course of that weekend, I wrote one creepy/Stephen King-ish flash, another that has a lot to flesh out and then two I didn’t post because they decided they couldn’t be flashes at the time.

What I’ve noticed is a similar progression of “lessening” lately. After a recent absence from Hot Pants, the first flash I wrote was solid and earned a finalist slot in a contest. The next piece wasn’t as good – though it had good parts – and the stories since then have had no true endings.

This is a reflection of my life. The lack of “the end” to Covid is insane and driven me to apocalyptic theorizing. The political news has altered my mind. Case in point: Mattresses. Not only is it the usual “what size and softness.” No, this creative mind of mine rushes to the financial outlook – no, not everyone will be all right. Will we? What if they stop making mattresses? What if we wait for the riots in Hamburg and Orchard Park and grab one then? What if our mattress is the only one in the neighborhood without bed bugs? What if climate chaos turns us all into backstabbing-for-survival neighbors? What if we lose in that battle? I don’t want to be murdered for my mattress. Black people have been murdered for less. Black people have been killed for no reason. The wide spreading-about of “bad apples” in law enforcement is astounding. Until it isn’t. Then it’s sad and awful. What kind of white privileged person am I? I may get Covid and I might survive even though my life has no more worth than anyone else’s simply because I am white and live in a state that took the threat seriously. Then again, I might fall under the care of that worthless physician assistant in Springville and die because he’s a useless jackass idiot.

Ah, there’s nothing like way too much information for a whizzing bang to the head. Obviously I’ve had time to over think and let small things fester. I vote we proceed to the picture portion of this post…

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A few of you dear readers were sent a video clip of an Evening Primrose exploding into bloom. You would think this boring, but it is fascinating. The process takes a variety of time but you notice it in the day, the ones getting ready. They grow plumper, like nourishment is rushing up the stems. In the dusk, you come out and watch. And wait. Perfect interlude on early summer nights when you seek communion and there isn’t a campfire. But with Covid, who is there to commune to?

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The hummingbirds were ferociously hungry this spring. I’ve never filled the feeders so much, but I only hung two feeders instead of three. There are many fuchsias, though. One has cascaded down from the hanging pot and I have watched the birds visit each of those flowers before visiting the nearby feeder. Other times, they treat the blooms as their dessert.

What is beyond sweet is the promotion work done by The London Independent Story Prize. The gorgeous and generous highlighting of their winning artists is amazing and much appreciated. I’m also grateful to Nina Fosati and everyone in the Hamburg Writers’ Group for their help and many, many thanks to Kim Chinquee and the Hot Pantsers for theirs! Also wonderful is the promotion the Journal of Compressed Creative Arts does for its writers. My story is here with much gratitude to Randall Brown for including it in this year’s amazing group of stories. I am honored. Thank you!

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At 10 months, new cat sprawls about when not terrorizing the dog. I’ve had her out on a leash and harness. She is a skittish thing, afraid of everything. I ordered “The Tiny Tawny Kitten,” a little Golden Book written by Barbara Shook Hazen and read it to her. New cat doesn’t believe it was my favorite story as a kid.

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The reestablishment of the once railroad ties steps is slowly taking shape. We’ve been to the campfire area a few times. Letting it seed out last year seems to have worked, but now there is greenery up there to mow. The labyrinth and all paths leading to it are the best maintained. I’m not up to discussing the garden. I don’t want to talk about my mild inconveniences and minor tragedies. It doesn’t seem fair to mope. At least not online. I think there is so much more people agree on than not, but it’s so hard to get anyone to shut up long enough to see the obvious things. How is observable, data backed science something to debate? Opinions are not fact. Health emergencies aren’t about your rights…

Sorry/not sorry. I feel like it is something I need to say. If you’re reading this, please wear a mask.  OLYMPUS DIGITAL CAMERA

Speaking of opinion, the moon looked sneaky one night. Actually, that sounds like a great first line. After I post this, I’ll go see if it works. Who knows? Maybe it will lead to a story with a happy end. One with Covid contained and my Facebook family and friends intact. One where I have an agent, a book deal, and can report being annoyed over faulty sock elastic and feeling dread over how to effectively transfer feathers without feeling guilty for having such belligerent nothingness on my mind.

Thank you for stopping by and for the read. I appreciate you!

Novel Critique Groups and Writing for an Audience of One

It’s been a NaNoWriMo type of November. I can tell because I have an extra 50,000 words added to my novel and next to no pictures taken during these past 30 days. It wasn’t all writing and no socializing though. When I went to vote, I ran into old friends. I had a chance to talk to Maureen Lee and Kimberly Moritz after the SGI school board meeting – conveniently held in Colden this month. Springville Journal’s esteemed Max Borsuk was there, too. Five out of five Friday nights saw me in the Comfort Zone for the Hamburg Writers’ Group plus Husband and I went to see the movie “Knives Out.” The first snow has fallen and occasionally, it’s a pretty thing to admire as long as shoveling isn’t involved.

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After a gap when Mary Akers, Gina Detwiler and I pursued other writing projects, we each had new work to share so we reconstituted our roving novel critique group meetings. First stop: My home. Why yes, it was fun cleaning the whole house in two days and make quiche and cauliflower nuggets and two types of sweets because I wasn’t sure either would turn out. Dog went to a new groomer before the meeting and was far too sexy for a photo session.

I know, it’s a cheat to take pictures when he’s sleeping, but isn’t that the cutest Thanksgiving bow-tie? Thank you everyone at Paw Spa!

Anyways, I want to say that I’m still surprised that every book I write ends up being written in a different way. Last time, it was a ton of flashes that expanded into a whole. This time it was a lot of wasted writing trying to find a proper beginning. Regardless, once I found it, a lot of the themes and ideas I wanted to explore fell into place.

On and off through October, I worked on the blurb and the first chapter. I searched thumb drives for the abandoned bits and plumped out a catchall file with those meanderings called LineAboutMarriage. I know, it’s not a snappy working title, but it is a little more descriptive than NewBook17.0

I had sent the semi-polished first chapter to the amazing Nina Fosati and Prisoner for their take. Each were happy with it. When I revised it a bit more and sent it to Gina and Mary with no introduction to what it was about, I received my first negative response. It was a kind assessment of how she couldn’t tell if it was a romance or a mystery or what. And that was okay. I had been working at “genre” the last two books after I sent the dark literary “Ellie’s Elephants” to twenty agents and didn’t get more than a few requests for partials. “Blue” and “Near Eden” – the genr-y books had requests for fulls, but again, no agent took them on. For this novel, I’d abandoned the genre slant and wrote it for me.

Lots of people I’ve met have self-published. Some are lovely and I enjoyed them. A few people I’ve shown my early novel attempts liked them. I could have put them on CreateSpace when that was a thing, but my goal has always been to have an agent who will help with the process. Ideally, I’d like to be published by a big house. Making the long (or short) list for first-book awards would be a pleasant surprise, too. If I had self-published, I wouldn’t be eligible to strive for a lot of the goals I set out to reach from a young age. At heart, I’m still the 12-year-old who read “Peyton Place,” saw Grace Meticulous on the back cover in front of a typewriter and wanted to BE her.

But I don’t write like Grace Metalious. Or Nora Roberts. Stephen King, Douglas Adams, Madeleine L’Engle, Toni Morrison, or anyone else. I write like me and while I hope as I work through the rewrite of this crappy first draft, you and others will like it, in the end, the only thing I really want is for it to be a manuscript I want to read repeatedly and be happy to call mine. I’m writing for one person. It’s taken years to understand this oft-mentioned piece of advice

In the meantime, I appreciate you and the time it took to read this post. My new assistant is waiting patiently, so I must be off…

 

Thank you for stopping by and for the read!